新华1949文化金融与创新产业园环境形象提升设计Xinhua 1949 Cultural and Financial Innovation Centre 中国，北京Beijing，China 观点：城市更新、回归物质、方形叠加、质感与光影、拼贴、花园与叙事、低成本、自然而然 01项目背景Project background 北京市西城区车公庄大街4号，“新华1949”几个颇具文化意味的大字镶嵌在镂空红色砖墙上，这里曾源源不断地输出重要思想和新知，它代表了一段深厚而又辉煌的共和国历史，是见证共和国诞生和发展的亲历者，在此之前她更是中国近代印刷事业发展的引领者，如今，这里被改造为“新华1949”文化金融创新产业园，成为西城区高品质的文化创新空间。
Che zhuang 4 street, xicheng district of Beijing, a few cultural meaning of Chinese characters "xinhua 1949" inlaid on the red brick wall hollow out, it was continuously output important ideas and new knowledge, it represents a profound and brilliant history of republic of China, is the witness of the birth and development of the republic, before she is leading the development of Chinese modern printing enterprise, Now, it has been transformed into "Xinhua 1949" Cultural and Financial Innovation Industrial Park, becoming a high-quality cultural innovation space in Xicheng District. △ 历史的演进 02文化的意味Form of culture 当我们站在场地的那一刻，我们能感受到的空间信息很多，爬满藤蔓的红砖、大树、丰富的光影变化、锈迹斑斑的钢板、“大字本楼”、“苏式折板屋顶”……历史在这一块块砖、一块块石头、一颗颗大树、一道道光影、一张张锈板表面刻下永恒的印记，反映出一代一代人对于空间的理解和使用痕迹，也是文化传承最真实的体现。
When we stood on the site, we could feel a lot of spatial information, such as red brick covered with vines, big trees, rich light and shadow changes, rusty steel plates, "big character building", "Su style folding plate roof"... History has carved eternal marks on the surface of brick, stone, tree, light and shadow, and rusty board, reflecting the understanding and use of space from generation to generation, and also the most authentic embodiment of cultural inheritance. △ 一代代人留下的使用痕迹，是空间对文化最真实的记录
03回到物质Back to the material 世界以物质的方式存在，我们也是以物质为媒介去感知空间、感知存在的意义，新华1949产业园区的这次改造，我们更加重视如何运用空间现有的物质（材质、空间形态、植物光影等），如何强化这些物质的属性，最终回归空间最真实的面貌，回归由文化所隐含的生活方式，回归人们对于空间的理解和使用习惯，由这种最真实的状态去感知文化在这个园区所代表的意味……
World exists in the form of material, we are also exist in material for media to space perception, perception, the significance of xinhua 1949 industrial park of the reform, we pay more attention to how to use the space of the existing material (material, space form, plant lighting, etc.), how to strengthen the material properties, eventually return to space the most real appearance, To return to the lifestyle implied by culture, to return to peoples understanding and usage habits of space, and to perceive the meaning represented by culture in this park from this most real state... △ 曼妙的植物与墙体交相辉映
△ 入口廊架的序列承接古树的光影，形成古今的有趣对话
△ 入口活字印刷主题雕塑与旧有环境的新旧对比强调历史的演进
△ 场地原有景观石在新的环境里焕发新的意境 04方形叠加Superposition of squares 新华1949整个园区布局、建筑的形态都呈现出一种有棱有角的方形的状态，就像活字印刷一样的空间呈现，而这也是这个园区空间构建的底层逻辑，结合现状植物的点位，我们将场地部分原有单纯的种植空间，通过方形叠加的方式改造成可以让人们停留休憩的空间，而方形的叠加也是新的场景融入现有空间最贴合的方式，由此构建一种自然而然的空间演变状态。
Xinhua 1949 all over the park layout, architecture form presents a state of angular square, just like movable type of space, and this is the underlying logic of space of the park, combined with the present situation of plant level, we will ground part of the original pure space, through the way of square overlay into rest space allows people to stay, The superposition of squares is also the most fitting way for the new scene to integrate into the existing space, thus constructing a natural spatial evolution state.
△ 场地原有建筑块状推进与叠加成为园区空间秩序的构建逻辑
△ 方形的空间层层递进，营造简单而丰富的空间体验
△ 简单的动线意在凸显自然的魅力 05材料拼贴Material collage 材料本身包含着丰富的信息，斑驳的红砖、旺盛的藤蔓，暗红的锈板、自然的石块、丰富的树木……这些最真实的材质，一年四季通过光影的交织交相辉映，呈现出自然的生命力，我们运用拼贴的方式，将不同的材料、新旧的材料组合在一起创造一张精致的“信息网络”，借由不同的材料传递出来，新旧材料的结合运用产生一种冲突，而这种冲突恰好是历史演化的基础，也是未来空间不断更新和传承的创作基础。
The material itself contains rich information, mottled red brick, vigorous vines, dark red rust board, natural stones, rich trees... The most authentic material, through all the year round smooth shadow interweave in photograph reflect, presents the natural life, the way we use collage, different materials, old and new materials together to create a delicate "information network", by different material passed out, the combination of old and new materials used to produce a conflict, the conflict is the basis of the historical evolution, It is also the creative basis for the continuous renewal and inheritance of the future space.
△ 新旧材料的拼贴，构建了意味丰富的空间体验
06光影的诗A poem about light and shadow 整个园区历经一代代人的使用形成了丰富的植被体系，加上体块建筑对空间的切割，使得空间呈现出非常丰富的光影变化，在空间的改造上，我们强化了这样的光影氛围，通过对材料的搭配、空间形态和尺寸变化、凹凸的关系、建筑光影肌理对于空间立面形态的结合，构筑物序列重复的构成，悬挑式座椅和台阶等方式，将场地原有的光影划分成了清晰的光影、模糊的光影、点状的光影、线状的光影、深浅不一的光影、交织错乱的光影，而这些光影和空间、材料交织在一起，使得空间得到了一种具有生命力的诗性意境，让身处其中的人能体验到一种自然、无拘无束，但又充满文化历史意味的状态。
After generations of use of the entire park has formed rich vegetation system, combined with block construction of cutting of the space, make the space appear very rich light, on the space transformation, we strengthen the light atmosphere, through to the material collocation, space, shape and size changes, the relationship between concave and convex, building light texture for the combination of the facade shape, Structure sequence repeat the composition of the cantilever type seat and steps, such as the site of the original light divided into clear light, dim light, point light, linear light and shades of light and shadow, confusion of light and shadow, and the light and space, the material, make the space has been a vital poetic artistic conception, People in it can experience a natural, unrestrained, but full of cultural and historical meaning. △ 线状的光影随着微风摆动，与深色材质形成深沉而自然的空间气氛
△ 以点成线的云梯与大树落下的光影形成韵律上的互动
△ 面状的草坪承接大树落下的面状和点状光影，铺就出一块充满自然生机的空间
△ 绿植、自然石组、方形的平台与点状和面状的光影构建一篇自然的乐章
07花园与叙事Gardens and Narratives 整个园区的改造被划分成一系列不同意味的花园空间，时间花园、记忆花园、影之花园、艺术花园、活字花园、五星花园，在满足休憩功能的同时，系列花园就好像园区的一个个空间词汇，用不同的方式表达对历史、文化、自然的致敬。
The whole park transformation is divided into a series of different means of garden space, time, memory, the shadow of the garden, garden art, garden garden, garden type, the five-star garden, while meet the leisure function, series garden like park space words one by one, with different ways of expressing tribute of history, culture and natural.
△ 时间花园
△ 光影花园
△ 记忆花园
△ 五星花园
△ 活字花园
△ 艺术花园 08场景的营造Construction of scene 我们认为场景的营造，最本质的应该是回归到真实的生活，而这种真实的生活方式就是文化，因此我们更多的关注人们对于空间的理解和使用习惯，基于人们随着时代的进步、审美和需求的提高，去构建符合文化基因的新的空间秩序，通过方形的叠加，材质与光影的运用，并用花园的方式构建空间的叙事性，由此回到物质及其组成的方式的设计，又以物质为媒介去发现时间和文化的意义。
We think scene construction, the nature should be a return to real life, and the true way of life is the culture, so we pay more attention to our understanding of space and the use of habits, based on the people with the progress of era, aesthetic and improvement of demand, to building a new space order in conformity with the cultural gene, through the superposition square, materials and the use of light and shadow, The narrative of space is constructed in the way of garden, from which the design of material and its composition is returned, and the significance of time and culture is found in the medium of material.
△ 雨水花园
09数据背后的意义The meaning behind the data 整个园区占地约4万平米，单方景观造价约为180元/平米，低成本的改造是因为顺应和尊重，最大化顺应场地原有的材料属性和人们对材料的使用方式，让整体呈现出一种自然而然的方式，是去设计化的方式，是基于人们对空间的理解和使用习惯所产生的真实的美感。
The park covers an area of about 4 square meters, unilateral landscape cost about 180 yuan/square meters, the transformation because of low cost conform to and respect, to maximize the conform to the site of the original material properties and the way people use of material, make whole presents a natural way, is the way to design change, is based on the understanding of space and the habits of real beauty. 项目信息项目名称：新华1949文化金融与创新产业园环境形象提升设计 项目地址：北京市海淀区业主单位：中国印刷有限公司项目规模：40000.0㎡建成时间：2022年7月设计内容：景观设计主持设计：李思远 设计团队：赵少磊、毛俊毫、刘紫高、潘泓宇、王少杰、屈颖、鲍琪项目顾问：卢源摄影团队：李冬摄影工作室单方造价：180元/㎡ Project name：Environmental image enhancement design of Xinhua 1949 cultural finance and Innovation Industrial ParkProject address：Haidian District, BeijingClient：China Printing Co., LtdProject scale：40000.0㎡Completion time：2022.07Design content：Landscape designDesign Director：LizenDesign team：Zhao Shaolei、Mao Junhao、Liu Zigao、Pan Hongyu、Wang Shaojie、Qu Ying、Bao QiDesign Consultant：Lu YuanInstitute Co., Ltd Photography team：Li Dong studioUnilateral cost：180￥/㎡
