日照海洋之花艺术装置 / 孔祥伟工作室_住宅景观_景观案例

占地面积： 100平米

开发商：云过山丘茶园艺术区

设计时间： 2023年6月

景观设计：孔祥伟工作室

摄影机构：直译建筑摄影、孔祥伟

背景 | CONTEXT

日照云过山丘是吴家台村的一个滨海渔村中的茶园旅游区，近海养殖是村里重要的产业。园区入口处有一条退役后的老船，园主想依托老船，在园区入口做一个醒目的标识。

The project is located in a coastal tea garden tourist area in Wujiatai Village, a fishing village in Rizhao. Nearshore aquaculture is an important industry in the village. At the entrance of the park, there is an old retired ship. The owner of the park wants to use the old ship to make a striking sign at the entrance of the park.

△ 装置鸟瞰 ©直译建筑摄影

和日常渔业紧密相关的工具 “漂子”成为此次的灵感。“漂子”在手工业时期，是陶土罐子，工业年代演变成真空塑料的瓶子，后逐渐被椭圆形的“漂子”主宰，红黄蓝绿的椭圆，色彩丰富，鲜艳醒目。

The tool closely related to daily fishing, "float", became the inspiration for this time. In the handicraft era, the "float" was a pottery jar, which evolved into a vacuum plastic bottle in the industrial age, and then gradually dominated by the oval "float". The ovals of red, yellow, blue and green are rich in color and bright.

△ 装置细部 ©孔祥伟

△ 装置细部 ©直译建筑摄影

△ 装置局部 ©直译建筑摄影

村里每户渔民家里都有成小山堆积的漂子，像不同厚度的颜料层叠出集中的、爆发的美。标识受此启发，也采用堆叠的方式，和村口老船结合到一起。用钢结构做内部支撑，十个一组，采用钢丝绑扎的方式与钢结构固定，层叠堆砌至一定的高度。

Every household in the village has a small mountain of floats piled up, like layers of different thicknesses of paint stacked out of concentrated and explosive beauty. The sign is inspired by this and also uses a stacking method, combined with the old ship at the entrance of the village. Using steel structure as internal support, ten in a group, using steel wire binding to fix with steel structure, stacking to a certain height.

△ 装置夜景 ©直译建筑摄影

颜色上选用亮丽的红，配合灯光设计，从结构内部透出来的暖和色泛光，几经反射，完整地填满整个装置。完成时像一团艳火，也像一朵盛放的大丽花，携带海洋的信息，从海上来，回到浅滩停泊。是入村标志，也是海上归家指引。

The color is bright red, with light design, the warm color light that comes out from the inside of the structure, after several reflections, completely fills the whole device. When finished, it looks like a blazing fire, or like a blooming dahlia, carrying information from the ocean, coming from the sea and returning to the beach. It is a sign of entering the village and also a guide for returning home from the sea.

△ 田园里的装置远观 ©直译建筑摄影

△ 装置夜景远观 ©直译建筑摄影

百姓日用即为道。这些常见的渔业用具从搭建开始就引起了村民的浓厚兴趣，村民没有想到这些打渔的用具能物尽其用，演变成另一种艺术。司空见惯的生产事物，通过设计重构，在色彩、形式和光线的作用下，具有了诗意和温度：一种与老百姓生产生活密切相关的温度。装置的施工也请渔民共同完成，高度、密度、堆叠方式、结尾收口，设计师都和工人一起讨论，共同完成。装置完成的那一刻，就真正和村民产生了链接。

The daily use of the people is also a way. These common fishing tools aroused the strong interest of the villagers from the beginning of the construction. The villagers did not expect that these fishing tools could be used to their fullest extent and evolved into another kind of art. The common production things are reconstructed by design, and under the influence of color, form and light, they have poetry and temperature: a temperature closely related to the production and life of ordinary people. The construction of the device also invited fishermen to complete together. The height, density, stacking method and end closure were discussed by designers and workers together and completed together. The moment the device was completed, it was truly linked to the villagers.

△ 装置东立面 ©孔祥伟

△ 装置东立面 ©直译建筑摄影

△ 装置东南立面 ©孔祥伟

△ 装置远景 ©孔祥伟

乡村的设计语境，让标识设计更容易用大地艺术的形式进行表达。乡村空间的创新性，更需要因地制宜、就地取材，取之于生产生活，将寻常事物与大地艺术结合，用艺术改变乡村。这是对乡村的一种守护，也是对乡村未来充满希望地表达。

The design context of rural areas makes it easier for sign design to express itself in the form of land art. The innovation of rural space requires more adaptation to local conditions and use of local materials. It takes from production and life, combines ordinary things with land art, and changes rural areas with art. This is a kind of protection for rural areas, and also an expression full of hope for rural areas in the future.